{"id":15567,"date":"2016-12-26T19:46:22","date_gmt":"2016-12-26T19:46:22","guid":{"rendered":"http:\/\/www.ertza.com\/?page_id=15567&#038;lang=en"},"modified":"2024-05-29T11:19:26","modified_gmt":"2024-05-29T09:19:26","slug":"home-2","status":"publish","type":"page","link":"https:\/\/ertza.com\/en\/home-2\/","title":{"rendered":"HOME"},"content":{"rendered":"[vc_row type=&#8221;2&#8243; fadeout_row=&#8221;fadeout_row_value&#8221; fadeout_start_effect=&#8221;19&#8243;][vc_column animation=&#8221;fadeInUpBig&#8221; css=&#8221;.vc_custom_1499892271068{padding-right: 70px !important;padding-bottom: 100px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1481985049255{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: rgba(247,247,247,0.1) !important;*background-color: rgb(247,247,247) !important;}&#8221; el_class=&#8221;sinopsisnueva&#8221;]\n<blockquote>\n<h4><span style=\"color: #865379;\">[dt_gap height=&#8221;40&#8243; \/]Moving an audience is easy, just as football, a soap opera or an excess of decibels can. Homo sapiens is a fragile, vulnerable being, and we don&#8217;t control our emotions. But what&#8217;s really difficult is to move spectators through an aesthetic reflection that makes us know and recognize ourselves and change. And that&#8217;s just what Asier Zabaleta manages to do: he goes beyond emotions, and creates critical evolution. With social responsibility and private worries (common sense, atavism, religion, identity, pain, grief, the reasons behind a performance) as his starting point, he takes the struggles and contradictions of contemporary life onto the stage; sometimes they&#8217;re sharp, other times ironic, but they\u2019re always precise and clear, never getting lost at the crossroads. Boundaries which are also cliffs if you touch them with a fingertip or a toe. Theatrical language is always at the service of deep reflections and stories, and the different disciplines which are added to dance \u2013 music, theatre \u2013 enrich and strengthen it, both in terms of choreography and the catharsis which dance leads us to. Dance as freeware. <\/span><\/h4>\n<p>&nbsp;<\/p>\n<h4><span style=\"color: #865379;\">Next time we&#8217;re moved, let&#8217;s know why we are. <\/span><\/h4>\n<p>&nbsp;<\/p><\/blockquote>\n<blockquote>\n<h5 style=\"text-align: center;\"><span style=\"color: #333333;\">HARKAITZ CANO<\/span><\/h5>\n<\/blockquote>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;true&#8221; bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-vz-jquery&#8221; bg_image_new=&#8221;id^17252|url^http:\/\/www.ertza.com\/wp-content\/uploads\/2017\/01\/meetingpoint_maxsariak2.jpg|caption^null|alt^null|title^meetingpoint_maxsariak2|description^null&#8221; parallax_sense=&#8221;74&#8243; bg_override=&#8221;full&#8221; parallax_content=&#8221;parallax_content_value&#8221; parallax_content_sense=&#8221;60&#8243;][vc_column][vc_empty_space height=&#8221;300px&#8221;][vc_column_text]\n<blockquote>\n<h1 style=\"text-align: center;\"><span style=\"color: #ffffff;\">-MEETING POINT-<\/span><\/h1>\n<h2 style=\"text-align: center;\"><span style=\"color: #ffffff;\">MAX PRICE FOR THE BEST STREET SHOW<\/span><br \/>\n<span style=\"color: #ffffff;\">AT XXI MAX PRICES OF SCENIC ARTS 2018<\/span><\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-17263 aligncenter\" src=\"http:\/\/www.ertza.com\/wp-content\/uploads\/2017\/01\/ganador-h-1-300x151.jpg\" alt=\"ganador-h\" width=\"300\" height=\"151\" srcset=\"https:\/\/ertza.com\/wp-content\/uploads\/2017\/01\/ganador-h-1-300x151.jpg 300w, https:\/\/ertza.com\/wp-content\/uploads\/2017\/01\/ganador-h-1.jpg 518w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p><\/blockquote>\n[\/vc_column_text][vc_empty_space height=&#8221;300px&#8221;][\/vc_column][\/vc_row][vc_row type=&#8221;2&#8243; fadeout_row=&#8221;fadeout_row_value&#8221; fadeout_start_effect=&#8221;19&#8243;][vc_column width=&#8221;2\/3&#8243; css=&#8221;.vc_custom_1481989865502{margin-top: 100px !important;margin-right: 60px !important;margin-bottom: 100px !important;margin-left: 20px !important;border-right-width: 50px !important;padding-top: 40px !important;padding-right: 40px !important;padding-bottom: 40px !important;padding-left: 40px !important;}&#8221;][vc_column_text css_animation=&#8221;fadeInLeft&#8221; el_class=&#8221;textopres&#8221;]\n<h4 style=\"text-align: left;\"><span style=\"color: #865379;\">ERTZA was created by the dancer and choreographer Asier Zabaleta (Ezkio, Gipuzkoa 1.972) in 2004, with the aim of finding a new space in which different artistic disciplines could work together through contemporary dance.<\/span><\/h4>\n<h4><span style=\"color: #865379;\">[dt_gap height=&#8221;20&#8243; \/]<\/span><\/h4>\n<h4 style=\"text-align: left;\"><span style=\"color: #865379;\"> ERTZA productions question human and societal contradictions, reaching different audiences with productions for stage and public spaces. <\/span><\/h4>\n<h4><span style=\"color: #865379;\">[dt_gap height=&#8221;20&#8243; \/]<\/span><\/h4>\n<h4 style=\"text-align: left;\"><span style=\"color: #865379;\"> ERTZA works have been performed in countries including: China, Philippines, Brazil, Peru, Costa Rica, El Salvador, M\u00e9xico, Israel, Russia, Mozambique, Corea, Hungary, Lithuania, Luxemburg, Switzerland, Germany, France, Italy, Greece, Poland, Portugal and Spain. <\/span><\/h4>\n<h4><span style=\"color: #865379;\">[dt_gap height=&#8221;20&#8243; \/]<\/span><\/h4>\n<h4 style=\"text-align: left;\"><span style=\"color: #865379;\">In parallel with the artistic production, ERTZA has launched several professional and public education projects. <\/span><\/h4>\n<h4><span style=\"color: #865379;\">[dt_gap height=&#8221;20&#8243; \/]<\/span><\/h4>\n<h4 style=\"text-align: left;\"><span style=\"color: #865379;\"><strong>MASTER CLASSES &amp; WORKSHOPS:<\/strong><\/span><\/h4>\n<h4><span style=\"color: #865379;\">[dt_gap height=&#8221;20&#8243; \/]<\/span><\/h4>\n<h4 style=\"text-align: left;\"><span style=\"color: #865379;\"> Maputo (Mozambique), Bayonne (France), Geneva (Switzerland), Manila (Philippines), Salvador de Bah\u00eda (Brazil), Belo Horizonte (Brazil), Porto Alegre (Brazil), Ipatinga (Brazil), Recife (Brazil), Heredia (Costa Rica), Chelyabinsk (Russia), San Luis Potos\u00ed (Mexico), Maspalomas, Seville, Burgos, Madrid, San Sebastian and Bilbao (Spain). <\/span><\/h4>\n<h4><span style=\"color: #865379;\">[dt_gap height=&#8221;20&#8243; \/]<\/span><\/h4>\n<h4 style=\"text-align: left;\"><span style=\"color: #865379;\"><strong>ARTISTIC RESIDENCIES:<\/strong><\/span><\/h4>\n<h4><span style=\"color: #865379;\">[dt_gap height=&#8221;20&#8243; \/]<\/span><\/h4>\n<h4 style=\"text-align: left;\"><span style=\"color: #865379;\">Bayonne and Biarritz (France), Salvador de Bah\u00eda (Brazil), Belo Horizonte (Brazil), Chelyabinsk (Russia), Burgos (Spain), San Sebastian and Bilbao. <\/span><\/h4>\n[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_column_text css_animation=&#8221;fadeIn&#8221; css=&#8221;.vc_custom_1532292900770{padding-top: 140px !important;padding-right: 23px !important;padding-bottom: 150px !important;padding-left: 30px !important;background-color: rgba(247,247,247,0.47) !important;*background-color: rgb(247,247,247) !important;}&#8221; el_class=&#8221;sinopsisnueva&#8221;]\n<h6 style=\"text-align: left;\"><span style=\"color: #865379;\">&#8211; <strong>First Prize in the XMASDANZA Solo Contest, <\/strong> Canary Islands. With \u201cEGO\u201d.<\/span><\/h6>\n<h6 style=\"text-align: left;\"><span style=\"color: #865379;\">[dt_gap height=&#8221;10&#8243; \/]<\/span><\/h6>\n<h6 style=\"text-align: left;\"><span style=\"color: #865379;\">&#8211;\u00a0 <strong>Three Prizes in the XXII Madrid Choreography Competition: <\/strong><br \/>\n1.Residence at \u201cCentro Coreogr\u00e1fico Galego\u201d,<br \/>\n2.Prize for touring<br \/>\n3.Prize from \u201cFundaci\u00f3n AISGE\u201d to a relevant dancer Eneko Gil.<br \/>\nWith \u201cBihar jaio nintzen\u201d<br \/>\n<\/span><\/h6>\n<h6 style=\"text-align: left;\"><span style=\"color: #865379;\">[dt_gap height=&#8221;10&#8243; \/]<\/span><\/h6>\n<h6 style=\"text-align: left;\"><span style=\"color: #865379;\"><strong>First Prize for the Best Contemporary Choreography in Chelyabinsk (Russia) and Two Nominations in the \u201cGOLDEN MASC OF RUSSIA\u201d (Russian National dance and theatre prizes) in the categories of Best Contemporary Dance Production and Best Choreographer. <\/strong> With \u201cNext in Line\u201d (2010) created for \u201cChelyabinsk Contemporary Dance Theatre\u201d<br \/>\n<\/span><\/h6>\n<h6 style=\"text-align: left;\"><span style=\"color: #865379;\">[dt_gap height=&#8221;10&#8243; \/]<\/span><\/h6>\n<h6 style=\"text-align: left;\"><span style=\"color: #865379;\"><strong>&#8211; Prize for the Best Basque Show at \u201cUMORE AZOKA 2014\u201d<\/strong> of Leioa, Basque Country. <\/span><\/h6>\n<h6 style=\"text-align: left;\"><span style=\"color: #865379;\">[dt_gap height=&#8221;10&#8243; \/]<\/span><\/h6>\n<h6 style=\"text-align: left;\"><span style=\"color: #865379;\"><strong><strong>&#8211; Prize for Artistic Trajectory in the XIII Dance Prizes.<\/strong> Association of Dance Professionals of Gipuzkoa.<\/strong><\/span><\/h6>\n<h6 style=\"text-align: left;\"><span style=\"color: #865379;\">[dt_gap height=&#8221;10&#8243; \/]<\/span><\/h6>\n<h6 style=\"text-align: left;\"><span style=\"color: #865379;\"><strong>&#8211; <b>Prize for the Best Basque Street Show at \u201cUMORE AZOKA 2017\u201d<\/b><span style=\"font-weight: 400;\">of Leioa, with the show \u201cMEETING POINT\u201d.<\/span><\/strong><\/span><\/h6>\n<h6 style=\"text-align: left;\"><span style=\"color: #865379;\">[dt_gap height=&#8221;10&#8243; \/]<\/span><\/h6>\n<h6 style=\"text-align: left;\"><span style=\"color: #865379;\"><strong>-MAX PRICE FOR THE BEST STREET SHOW AT XXI MAX PRICES OF SCENIC ARTS.<\/strong><\/span><\/h6>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;2&#8243; fadeout_row=&#8221;fadeout_row_value&#8221; fadeout_start_effect=&#8221;19&#8243;][vc_column animation=&#8221;fadeInUpBig&#8221; css=&#8221;.vc_custom_1499892271068{padding-right: 70px !important;padding-bottom: 100px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1481985049255{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: rgba(247,247,247,0.1) !important;*background-color: rgb(247,247,247) !important;}&#8221; el_class=&#8221;sinopsisnueva&#8221;] [dt_gap height=&#8221;40&#8243; \/]Moving an audience is&#8230;<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-15567","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/ertza.com\/en\/wp-json\/wp\/v2\/pages\/15567","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ertza.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ertza.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ertza.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ertza.com\/en\/wp-json\/wp\/v2\/comments?post=15567"}],"version-history":[{"count":10,"href":"https:\/\/ertza.com\/en\/wp-json\/wp\/v2\/pages\/15567\/revisions"}],"predecessor-version":[{"id":18347,"href":"https:\/\/ertza.com\/en\/wp-json\/wp\/v2\/pages\/15567\/revisions\/18347"}],"wp:attachment":[{"href":"https:\/\/ertza.com\/en\/wp-json\/wp\/v2\/media?parent=15567"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}